Thursday, April 4, 2013

Remembering Roger Ebert: 1942-2013 - By Allan Raible

The lights are a little dimmer tonight.  Hollywood has lost one of its biggest fans.  In fact, Roger Ebert approached movies in a very cerebral way.  One could argue that modern cinematic criticism was built around a framework that Ebert and Gene Siskel established.  And now, sadly they are both no longer with us.

I was a huge fan of Ebert’s work.  I remember being a small child, first discovering film and coming across random episodes of “At the Movies.”  I would pay very close attention to the well-thought-out “thumbs up” or “thumbs down” reviews.  I, of course, wouldn’t take them as gospel.  They would serve as mere background foundation to make an informed decision about which movies to see.  If I really thought I wanted to see a film, a “two thumbs down” review wouldn’t deter me.  There were times, in fact, when I disagreed with Ebert’s reviews, but more often than not, he was a respectable barometer whose love of his medium showed through.  You could tell he really lived for those celluloid images.  It wasn’t about building people up or cutting them down.  It was about wanting to see excellent movies.  Gene Siskel died in 1999, and this was still the case in later years with Richard Roeper by his side.  When you watched “At The Movies” (or any one of his similarly branded shows)or read one of Ebert’s columns, you knew you were in for a master class on criticism.  The man won a Pulitzer Prize for an obvious reason. 
Drawing by Allan Raible.

In fact, when I think about it, Roger Ebert was one of the reasons I got into criticism in the first place.  His love for the movies was a big influence on me.  In my case, I write more about music than movies, but loving both mediums just about equally, in Roger Ebert I still saw a kindred spirit.  He was no one’s hack.  He didn’t mince words and he wasn’t out for an easily quotable tagline.  He was a man who viewed entertainment in a scholarly way. 

I would guess the majority of movie, music and book critics working today owe a debt of some kind to Roger Ebert.  I really hope his reviews will be studied for generations to come.  For more than forty years, his opinions mattered.  So few of his peers approached the medium with the love and respect he gave.  Many try and many leave their marks, but there will sadly never be another Roger Ebert. 

So, dim the lights, sit in the middle of the theatre and please let’s put out an extra popcorn bucket for Roger.  Without him, the cinematic experience will never be the same.